This is a play about Portia from William Shakespeare's 'Julius Caesar' and how no one remembers or cares about her. But not really. Really, it's a story about three women and what happens when they are suddenly upturned by the loss of a relationship that has defined them for the majority of their adult lives. While navigating this loss, they are also having to figure out what life means when you are not wrapped up inside a male identity, through complicated conversations about grief, sexuality and a proscribed notion of 'womanhood'.

A US-Navy owned submarine is struck and sinking in the Mediterranean Sea. Four people are onboard the vessel, unsure of their situation. As they begin to reveal more about themselves to each other, their circumstances become increasingly strange and dire. Odd messages from the outside world and ominous forces pushing on the walls threaten the delicate stasis they have found themselves in and the group must figure out whether they should attempt escape or else accept their fate

'The frenetic framing device of the sinking submarine is absurd but allows for some distinctly touching and tragic story beats' - The Boar
'...this is damn good theatre' - The Boar

Three people sit in a circle, in a room, where their understanding of themselves, each other and language itself has been forgotten. In the process of relearning how to speak, the characters relearn themselves and their relationships, eventually coming to a standstill at the question: is it better to know, or do we begin again?

'Gripping the audience with a quiet intensity' - The Boar

'Overall, Not Quite is an extremely enjoyable watch' - The Boar