About me
Rayla Clay (and the following day)
Winner of The Shelagh Delaney Award 2024; 3rd, 4th and 5th April 2025, Salford Arts Theatre.
fire / fight
Shortlisted for the Off-Off Broadway Concords Festival in association with Samuel French. Performed at Vineyard Dimson Theatre in New York in August.
Shamza Kane
A Pleasance Scratch at The Pleasance.
a gap tooth brown girl with freckles and blue eyes
Over It! Revolution at the Omnibus Theatre in collaboration with Slackline Productions, Blue Masque Theatre and Fireraisers.
Splinter from the Fleshy Swirl
Rip It Up at the Questors Theatre.
Previous – highlights from up to 2023:-
Squeez’d
Shortlisted for The Shelagh Delaney Award 2023.
Wash Me Up, Get On Down
Director’s Cut Theatre, Southwark Playhouse.
Mutt No More
Director’s Cut Theatre, Southwark Playhouse.
Melt
Tamasha; Wimbledon Studio; The Old Red Lion; Little Pieces of Gold at The Space.
Dog Man’s Folly
Frequency Theatre Radio broadcast; also a Rehearsed Reading at Script Read East.
Pale in Shade of Tide
Scratch Performance at Rich Mix for Tamasha; and The Lowry.
Kick the Breeze
Sorted Theatre Co. at BAC / Battersea Arts Centre.
Descent
Brixton house / formerly Oval house.
Continuing development with new writing companies include:-
Kroydon Ho, Yo Yo Yo
Rehearsed reading at The Space.
She / Split (aka Locust)
Pleasance Theatre.
she gone / come home
Paines Plough.
Rid
Theatre 503.
Red Water Blue (aka Marina Llan Rey)
Made in Wales Theatre.
Feature Films and Short Films:-
Wronged: Subculture-Adamantine Films; unproduced.
Bedlam in Silk: Aletheia Entertainment Ltd; unproduced.
Melt, Twoscore and Wick: A trio co-written with Spinster Films.
Dash of Skin: Shortlist for ‘Fast Cuts’ for BBC.
Current:-
Shortlisted for The Grass Routes Award (Birdie
Pictures & Matriarch Films) for my TV
Drama Series Means of Escape.
I am writing two new plays: Float My Body Blood
War and escalator / violator.
My Plays
Rayla Clay (and the following day)
Synopsis:
Winner of the Shelagh Delaney New Writing Award 2024
A rite of passage drama about broken promises, squandered opportunities, innocence versus experience: the love-hate continuum that exists between a father and daughter – where the Past-Present-Future exist in the same time and place.
Teenage Rayla single-handedly props up her emotionally abusive, addicted, highly intelligent father.
On one life-changing day, her world undergoes a seismic shift under the influence of an unexpected apparition – her older self, Ray – where the father and daughter(s) fight for control of his inability to change.
What follows is a charged, brutally honest battle of wits about Hope vs Despair – where the child becomes an adult, and the adult a child.
Rayla Clay (and the following day) tackles complex themes, femxle autonomy, paternal abuse and escape head on.
Drayla Kasheen the writer says; “To see my work produced and performed is, and always has been, vital in terms of confirming a concept and expediting its possibilities: the notion that a script doesn’t exist until it’s seen, shown, done; I agree with this – that the play needs to make that crucial leap from page to stage in order for it to credibly, authentically exist.”
This is our third year running the Shelagh Delaney New Writing Award supporting new writers and giving them a platform to see and hear their work performed.
Previous winner
Number of Characters: 3
Minimum Number of Actors Required: 3
Length (in Pages): 44
Location: InteriorLiving Room - location = anywhere in any town or city.
Key Words: Power, Control, Fathers & Daughters, Abuse, Addiction.
Has the Play Been Produced? Yes
Are the Rights Available? Yes
Has the Play Been Published? No
Award nominations/wins: The Shelagh Delaney Award 2024
Reviews:
https://honorarymancblog.com/2025/04/07/rayla-clay-and-the-following-day-salford-arts-theatre/
Production Photos/Posters/Playtext Cover:
